Posts in Category: Music

Buddy Collette

I’ve just heard that Buddy Collette has passed.

Buddy was my friend.  My last words to him were “I love you.”  And his to me were “I love you, too.”

It was just a random meeting at Ralph’s market across the street from where I’m sitting right now, at the Farmers Market.  I was in the produce section, squeezing oranges and this handsome elder gentleman came over to me and said, I bet you’re a musician.  I was in my early 20s, with a little buzz around me, ready to take the rock ‘n’ roll world on, so I was a little used to this sort of thing happening.  But this man had spark in his eyes. We spoke for a few minutes.  I felt very encouraged by him.  It felt sweet to be recognized by an elder.  I imagined myself in his place someday, encouraging another kid.  I wanted to be part of the tradition.  I’d always felt such a gratitude when older black men, who’d had to struggle so much, stopped to give me encouragement — a post civil-rights kid, half white and quite privileged.  It made me feel a little guilty.  Yet it inspired me to be part of the tradition of giving back, of encouraging young people to be the best they could possibly be, and to affirm that you, as an elder, recognize the value in their expression.

After the man moved on, a younger white couple approached me and asked if I knew who he was.

“He said his name was Buddy,” I said.

“That’s Buddy Collette!  He’s a jazz legend!  You’re a very lucky guy.”

A few weeks later I was in the Bob’s Big Boy near my apartment on Wilshire Blvd, and there was Buddy at the counter.  We said hello again and a friendship was born.

We never got to play together, but over the years I’d go to see him play or tell stories of the old days on Central Avenue, stories of him and young Mingus breaking bottles and stuff to give to Simon Rodia for the Watts Towers that were being built, or how he convinced Charles to give up the cello for the bass, and join his band.  They’d jump on the red line and play in the train cars for fun.  I loved hearing how he got the unions together, first through jam sessions and musical exchanges with the white classical musicians of Local 47, then the true amalgamation of the Unions.  It’s amazing how different the world seems now.  It’s hard to imagine my friend, in my city, not being able to join a group with other musicians simply because of his skin color.  But that’s what Buddy and this community of artists had to deal with and, mischievously at times, navigate.

Then later, after his stroke, Buddy started to show up at my events a little more.  It thrilled me when he came to the opening of a film I scored, or when I’d hear him talk up my talents and versatility to other people.  When he came to see me at Kenny Burrell’s birthday performance at Royce Hall, he told me I had what Nat Cole had with my ability to sing.  I should take that to heart more than I have.

One of my favorite conversations with Buddy was at a memorial for a dear friend of ours, Geri Branton.  He told me that he was playing piano with his right hand.  He was so excited by the voicings he was discovering.  He had the passion of student just getting the concepts that would open the entire world to him.

That delight in discovery along with his deep memory was what made Buddy so special.  His stories and music were so good because he was always attentive and curious.  My sister and I took him to dinner one night at Versailles’ Cuban restaurant after seeing a play by Roger Smith about Watts.  Again, he had a pouring out of memories and a delight in going to theater and us hanging out together.  He just brought so much joy to my life!  And he reminded me that there were always new discoveries to be had in our city and in our lives.

I’m also remembering the time sitting with him and Brock Peters at Geri and Leo’s 50th Anniversary party.  Seeing these two men meet for the first time showed me the humbleness and excitement the greats have.  They were passionate about each other’s talents and the growing each of them was still doing.

That spirit endures beyond the body, the spirit of affirmation, encouragement, aspiration and the desire to connect with other beings.  Buddy connected me to the past, present and a vision of a beautiful future of respect, love and possibilities.

Happy Loving Day

I offer you this in celebration of the Mixed Roots Festival and the Lovings of Loving v. Virginia, the case that forever abolished anti-miscegenation laws in the US in 1967.

It’s something I did in the mid-nineties.  It’s kind of silly with it’s Rolling Stones references, but also a lot of fun.

Hope to see you tomorrow, June 13th, at the Festival.

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WE*

I am the future
I am the past
I am the baby that you never had

Product of love
Raised in confusion
Not so much mine
But your illusion

Apartheid
In my life
Love is the solution
What about the children?
Don’t be chicken

We are what we are.

What’s so right within the white?
What’s so right within the black?
We all have organs
We like to use them
Gene pool mix—some brown will be the fusion

Down by law
Down by culture
One day
There’ll be no other
Miscegenation
Long gestation

We are what we are.

We are African American European Asian sons
Politically incorrect, embracing every one
And loving and sexing
And sex and sex and sex and sex and
Look at me!

We are what we are.

(Repeat first verse)

Jason Luckett, © 1996 Lucky Masala Head

*Lucky Mingus was the name of the band. It lasted about 6 months with a revolving cast of Jim Doyle, Rob Ladd, and JMD on drums, Wil-Dog Abers (now of Ozomatli) and David Sutton on bass, and Jebin Bruni always on keys. This recording is Jim, David, Jebin and me with Danny Brown producing.

I was heavy into my Charles Mingus period and was trying to add a more collective and historical vibe to what I was doing. The best historical thing here is the bass line which is inspired by a 70’s glam band far on the other end of the spectrum from Mingus…also a little nod to the Rolling Stones… Very little Mingus…

Stir It Up for Barack!

A few years ago I’d just turned 21 and had this mulatto moment. I share it with you today on my birthday. I recorded this at Kulak’s Woodshed in North Hollywood.

I’d like to encourage synergy with the Obama campaign, especially around the acceptance event in Denver on the 45th anniversary of Dr. Martin Luther King, Jr.’s I Have a Dream speech, so I thought I’d put this out. I have a vision that we can get Diana Ross to mash in “Ain’t No Mountain High Enough” with my “Stir It Up”
Then I’d like to sing Daydream which was written hoping for a day like this 10 years ago, when hope seemed more distant.

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Right click to download Daydream

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Right click to download Miracle.

Also I’m thinking that it would be nice to have some supporters cut videos to Daydream and Miracle using clips highlighting the issues that we hope to move in positive ways. The lyric for Daydream talks about a day when Martin’s dream is fulfilled. With all that’s going on in the media and campaigns, we know that is not going to be unequivocally August 28, 2008. But there is hope!

daydream

carry me up to be received
we’re drinking
coffee at 10am

newspaper deaths
thirty years, one day
a folk singer says i ain’t scared

and tears fall as i daydream
of martin luther king fulfilled

(can you feel…?)

carry me up to receive
‘cos despair as fate is nonsense to me
sun warms us through our windows
but my friend and i must go outside

with knowledge from these conversations
we must act at least in song

can you feel?
you’re not alone!
can you feel?

carry me up to believe
that words of peace stir collective souls
that we’ll be moved by nonviolent hands
that my passion’s not nostalgic

and tears rise as i daydream
and i begin to smile

can you feel?
you’re not alone!
can you feel
you’re not alone!

can you feel…
can you feel…
you’re not alone!
you’re not alone!

(c) 1998/2002 Jason Luckett